We Believe
We believe that many of our social and environmental dilemmas today stem from a lack of empathy and effective, non-violent expression. The creation of music in group settings has, for millennia, been a critical part of how we learn these vital human skills.
Today recorded music has far surpassed live music in popularity. We believe that, while at times useful and enjoyable, recorded music can never replace the social value that is inherent in ensemble playing. By focusing on sensitivity in perception and an appreciation for music history and theory, we aim to enable the creation of new life in sound.
What exactly makes a community band is a bit hard to define, but we like to think it's a group of people who love music and are willing to be inclusive and generous with their talents and energy. Their musical repetoire, visual aesthetic, performance style, organizational mandate, and off-stage antics are as varied as the personalities that they attract.
Below are a few fantastic community bands that have caught our eye, but because this movement is fast growing and often chaotic by nature, this list is by no means exhaustive.
Vancouver Area
Pacific Symphonic Wind Ensemble (Vancouver)
Royal City Concert Band (New Westminster)
South Fraser Community Band (Surrey)
British Columbia
Westshore Community Concert Band (Victoria)
Worldwide
Extra Action Marching Band (California)
Brass Liberation Orchestra (California)
March Fourth Marching Band (Oregon)
Environmental Encroachment (Chicago)
Leftist Marching Band (New Hampshire)
Second Line Social Aid and Pleasure Society Brass Band (Massachusetts)
Stick and Rag Villiage (Boston)
What Cheer? Brigade (Rhode Island)
Rude Mechanical Orchestra (New York)